- but the representation of women is typical indian style that is women as essential commodity as needed by men for sexual need as her boobs and bums excites him otherwise’ she is bundle which is kept on road side’ ‘she is some mysterious creature who came pressed her boobs on Rangnath and disappear’ she is desired by Badri as well as Ruppan and even not discarded by Rangnath but not respected by any one she is mysterious strange create sensation she is so essential commodity needed by all respected by none name of her father is Gayadeen means useless poor fellow deserve disrespect from all women only for sex for thrill cheap object which excites man’s fantasy and sexual desire a cheap labor unpaid maid free caretaker of children and an object who can satisfied so called ego of patriarchal man
- Political
- demographic'
- literacy
- cultural/art
- gender
- domestic
- sexual
- industrialist
- judicial/law
- historical
- art
Some references from the text
- As to mention in the answer with double inverted commas
- Rock hard snakes
- Truck rapes the road of India
- Trucks door open typical patriarchal ref.
- Super sweeter milk tea
- For making such snakes
- "The manual dexterity and scientific expertise of our local working man"
- We do not know how to make a decent razor blade we are still the only people
in the world who can turn rubbish into tastiest of the snakes " - Post independent India
- 1968 India shows the vast difference shown as grand development shown by government and the reality of the ordinary village without even the traces of any progress
- Microcosm of wider dynamics
- Aspirations of working and middle class men and women and the realities of their lives social
Glorification of village life was the corner stone of freedom struggle but this is so opposite
- In RD we find the hilarious deconstruction of public life
- Copy of physical culture
- There is sharp contrast between the village representation of
Shukla India | Naipaul India |
Counter reaction to Urban and nationalist India | Idealization of village humanity in village in India |
>>>> | Naipaul India has untouched the vast pool of poor and villagers in India |
Shukla see vast poolOf middle and lower Class as his subject >>>> of Indian village | Naipaul’s only view Some hoteliers सर्वेन्ट्स and guides as his subjects |
Shukla gets into reality of life | Naipaul’s find escape from this reality |
Shukla looks at poverty as it is | Naipaul India looks poverty as imaginary |
Unedifying description of Village life , pond bus stop |
Nationalist idealizations of village Beauty and development |
Village fair counter the urban space Attachments area
|
No as such reference as equal to Shukla |
Gender and Economic limitations and transformations
1 the reference of truck being used as personified male patriarch
2 then the making of sweets in which all the dust insects
House flies can be used a s a n ingredient and finally this बर्फी is covers with the dust of the road it all over which make it heavy in weight and poison for stomach
3 we do not know to make a simple razer blade but we know how to criticize the whole world
We India are most regularize in discipline and unproductive crowd on the world map but we are experts of criticize to others below is the reference with page no vi RaagGarbari translated by Gillian wright and introduction by Francesco Orsini
Raagdarbari
Glorification of village life was the corner stone of freedom struggle but this is so opposite
In RD we find the hilarious deconstruction of public life
And damaging political social and personal life
Copy of physical culture
“every day stage ” as discussed by C J Fuller and John Harissbook is Chris Fuller and John HarissFor an anthropology of the modern Indian Stage , in everyday
On Sun, Jun 7, 2020, 17:48 Dr. Anju Gurawa <drgurawa@gmail.com> wrote: “every day stage ” as discussed by C J Fuller and John Harriss
Space some references frombook is Chris Fuller and J
As to mention in the answer with double inverted commas
Rock hard snakes
Truck rapes the road of India
Trucks door open typical patriarchal ref
Super sweeter milk tea
For making such snakes
“The manual dexterity and scientific expertise of our local working man”
We do not know how to make a decent razor blade we are still the only people in the world who can turn rubbish into tastiest of the snakes ”
Post independent India
1968 India shows the vast difference shown as grand development shown by government and the reality of the ordinary village without even the traces of any progress
Microcosm of wider dynamics
Distinctive indian characteristics as reflected in RaagDarbari
Liar, double standard, sweet talker but not true to action, anti-women, racist ,castist, fudal, devoid of merit.